Saturday, June 1, 2019

Book Review

                                                                                 
THE SLEEP OF REASON, A COLLECTION OF POEMS
Edwina Pendarvis, P.J. Laska, Peter Kidd
Igneus Press, 2019

by Phyllis Wilson Moore
                                                                
                                                          
                                           Words as Art in the Absence of Reason
                                                                                                   
  
In a rather Kafkaesque collection entitled The Sleep of Reason: A Collection of Poems three seasoned activists, steeped in art, philosophy, history, and literature, provide an incisive glimpse at the state of the world and the political brouhaha and chaos we inflict upon ourselves. The collection’s cover art, The Sleep of Reason Produces Monstrosities, by Francisco Goya, published in 1799, sets the stage for the words and images in the three sections of the chapbook. The title and the art serve to remind readers to consider world history. Why Goya? Goya lived and painted during the last years of the Spanish Inquisition, a tumultuous period of war and corruption. He attempted to show the horrors of the day through art.

    Pendarvis builds on the Goya image by opening the chapbook with “Green Dreams”, a poem harking back to the Inquisition and the screams of martyrs, bloodied and broken on the rack, all in the name of religion. Throughout, Pendarvis uses images of fire, bones, blood, cruelty, war, martyrdom, religiosity, and pollution, setting poems in the past and present. Her short poem, “Creche”, reminds readers of the January 17,1991, bombing of Baghdad. Aptly, Pendarvis compares the lighted sky above the city to a Christmas tree and the resulting death and destruction as the “gift” given  the children of Baghdad. She brings the sleep of reason closer home in “Farmer Brown Ascends the Gallows” as she reminds us of our nation’s history of slavery, the hanging of John Brown in Harpers Ferry, (now) West Virginia, and the subsequent Civil War. She calls Brown a planter of seeds and tells us his plants blossomed fire. The reason he was hanged? Treason. Many consider him a hero and martyr.

    Pendarvis’s eight poems are followed by seven from P. J. Laska.  His first,“The Fall of America,” is a tribute to the work of the late poet Allen Ginsberg and Ginsberg’s collection, The Fall of America: Poems of these States 1965-1971, which shared the National Book Award for 1973. Like Ginsberg, Laska rails against the destruction and contamination of the environment. He bemoans mountaintop removal in his native West Virginia, the waste clogged oceans, the struggling small towns.  He follows “The Fall of America” with a satirical "list" poem,“The Greats”, a strong indictment of those using power for personal gain. Laska’s list includes “Greats” readers will recognize from the daily news. Some of the "Greats" may even produce a wry smile, perhaps “The Great Tweet” or the “Not-So-Great Offspring." If reason sleeps, what is deemed great? In a poem titled “Imagine Klee” Laska looks at Nazi Germany and Hitler’s confiscation and display of the paintings of artists he personally deemed mentally deficient or mentally ill. The crazed Hitler’s list included Klee, Picasso, and many others. Laska does not name Goya, but his work was included.
 
     Peter Kidd’s section opens with the poem “2035”, a time when all water must be purified and the world we know no longer exists: shore lines are eroded, the climate is fierce, plants and trees are sparse. It reads like scary science fiction.  In his poems, Kidd details the impact of civilization’s “progress” and cites such particulars as the harm to dolphins off the coast of Hong Kong, the deforestation of the land, climate change, and the pollution of the ocean. He imagines the world his grandchildren will inherit.  He adds some humor with “Autumn Afternoon Reflections." Reflecting on living alone and aging he finds "now here I am/family grown and left/the dog has died/my mojo circle has shrunk/to my living room.” Despite the shrinking of his circle, his oneness with nature is illustrated in amusing conceits: "damsel flies land on me/ the deer wink as they eat my grapes/ and the skunk waddles into my woodshed when I open the door.” Kidd closes the collection with “Faults Shifted”, a poem with an optimistic core. His message:  reason can be awakened and concepts can “get flipped” when reason is evoked.

    The SLEEP OF REASON is word-art by three master poets. I feel sure Hitler would label them demented. I encourage you to consider their words.

Friday, March 29, 2019

New Publication for Igneus Press:

The Sleep of Reason
    A collection of poems by 
Edwina Pendarvis - PJ Laska - Peter Kidd

        release date:  April, 2019.

Thursday, August 16, 2018


THE GREATS


The Great Tower
The Great  Wall
THe Great Power
Conquering All

The Great Look
The Great Weave
The Great Assets
Of Make-Believe

The Great Story
The Great Tweet
The Great Businessman
With Chicken Feet

The Great Buildup
The Great Spin
The Not-so-great offspring
And next of kin.

The Great Deals
The Great Trades
The Many Promises
The Great Charades

The Great Betrayal
The Great Scam
The Great Lies
Ad Nauseam

Change the World
With the stroke of a pen
Make the Great
Even Greater Again

The Great Museum
Of the Great Past
Filled with Artifacts
Not Destined to Last

The Great Floods
The Great Fires
The Great Wisdom
Of Science Deniers

The Great Legends
Of Famed Lands
With Great Pyramids
Tilting in the Sands.
PJ Laska

Thursday, June 14, 2018

       Seasons in the Ravine #10

Under the six dragon sun of summer
intermittent streams stagnate in pools.
Through the foraging iridescent blackbirds
the white butterfly darts its random path.

Sitting on the porch of the cabin listening
to the roar of traffic through the foliage,
days are divorced from the cycle of seasons,
runes no longer message what's to come.

The heat eats the day and the cicadas
sharpen their knives in the maple trees.
Leaves of spring are the non-leaves of autumn,
this once & ever instance, not to be seen again.
 
    PJ Laska


Friday, May 4, 2018

Poem by Dareen Tatour, Arab poet in Israel, that got her convicted of "incitement to violence" after she posted it on social media:

Resist, My People, Resist Them

Resist, my people, resist them.
In Jerusalem, I dressed my wounds and breathed my sorrows
And carried the soul in my palm
For an Arab Palestine.
I will not succumb to the “peaceful solution,”
Never lower my flags
Until I evict them from my land.
I cast them aside for a coming time.
Resist, my people, resist them.
Resist the settler’s robbery
And follow the caravan of martyrs.
Shred the disgraceful constitution
Which imposed degradation and humiliation
And deterred us from restoring justice.
They burned blameless children;
As for Hadil, they sniped her in public,
Killed her in broad daylight.
Resist, my people, resist them.
Resist the colonialist’s onslaught.
Pay no mind to his agents among us
Who chain us with the peaceful illusion.
Do not fear doubtful tongues;
The truth in your heart is stronger,
As long as you resist in a land
That has lived through raids and victory.
So Ali called from his grave:
Resist, my rebellious people.
Write me as prose on the agarwood;
My remains have you as a response.
Resist, my people, resist them.
Resist, my people, resist them.
From the evidence against Tatour, courtesy Yoav Haifawi.
From the evidence against Tatour, courtesy Yoav Haifawi.
Tatour is also a photographer and directed a short documentary, according to Electronic Intifada.

Monday, December 25, 2017

 Evidence of the Hand in Art/Life in Light of the Livre D’Artiste, by Sophia Kidd, is in an issue of Comparative Literature: East & West, Issue 2 and is Open Access.
"We also have to wonder why some museums who own complete sets of the limited monthly have yet to unbox them. Fortunately there are others, such as the Los Angeles County Museum library, who have the entire set permanently showcased for public access on request.
Those institutions which do invest in the dissemination of Art/Life, in development of discourse about this early form of social media, will find that collaboration between disciplines such as art, philosophy, textual production, library science, material science, and social science will yield the most organic data concerning early Fluxus, New York, and Southern California avant-garde art. This early analog experiment in social media has yet to reach the zenith of its powers."

Saturday, September 3, 2016

https://www.academia.edu/s/03f2b552c6/maggie-jaffes-continuous-performance?source=link

Maggie Jaffe's Continuous Performance is a major contribution to the poetry of resistance.  The above link takes you to survey and analysis that probes her resistance to scat of empire in series of works from the 1990's to her death in 2011..